Engraving of the Holy Face

The engravings of the Holy Face are the reproduction of the veil of Veronica at the Vatican. No one is ignorant of the respect  paid by the Church to the relic. Every year, two Cardinals, delegated for that purpose, give the same benediction with it to the kneeling people, as that given with the Blessed Sacrament, and with the sacred wood of the true Cross. An authentic attestation of the divinity of Jesus Christ, this blessed veil has been left to the Church, to be, as it were, a precious coin, marked with the effigy of the King of kings, intended to call down upon the world which is ceaselessly impending towards its ruin, the mercies of the Lord.

Earthly coins have engraved upon them the effigy of their princes, in order to enable the kingdoms of the world freely to exchange their different products. Wherefore then, should not the kingdom of heaven also have, like the kingdoms of the earth, a coin by means of which everlasting goods may be purchased? O God! our Protector, look upon us, and cast thine eyes upon the Face of thy Christ, ought to be our frequent cry.

Every soul attached to Holy Church, and with it to the dogma of the divinity of our Lord, ought to make it a law of love, to have in its own little oratory, a picture of the Holy Face. Ah! if this devotion did but reign in all hearts, we should soon see the last remnants disappear of the odious blasphemy which has come down even to our own days: the denial namely of the Divinity of Jesus! The devotion to the Holy Face is a sign of predestination, for what soul is there which after having loved and venerated this august Face on earth may not rest assured of one day venerating it amidst the triumphs of its glory? (Letter of Mr. Dupont.)

N. B. — These engravings come from Rome, where they are engraved under the guarantee of the proper authority. Moreover they have attached to them an authentication bearing the signature and the seal of a Cardinal, attesting that they have touched the veil of Veronica, the wood of the true Cross and the iron of the spear which transfixed our Lord. This authentication ought to be carefully preserved. The word gratis, painted on them in large characters, is to show that the favor of touching these holy relics is gratuitously bestowed, and that the blessing attached thereto is not sold; but it does not mean to imply that the engravings themselves are not to be sold at a proper price, calculated to cover the expenses of the paper, linen or silk of the engraving, of the carriage, etc.; these prices are, moreover, made as low as possible and ought never to be an object of speculation.